Saeed Mostaghasi, a film critic, analyzed underground or banned films in a conversation and pointed out interesting aspects about them. He stated that currently many films recognized as underground actually have production permits and various licenses, and he defined and explained this type of cinema.
Definition of Underground Cinema
Mostaghasi emphasized in this conversation that a film being 'underground' cannot simply be due to the lack of a screening permit. He pointed out that a clear and specific definition of underground cinema should first be provided. He said: 'All these films are made completely above ground and cannot simply be called underground.'
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Films That Are Popular
Next, Mostaghasi referred to two films, 'Bi Dad' and 'Moragheb-e Parvaneh', stating that these works cannot be considered underground due to their content and also their production permits. He added: 'These films have their popularity among audiences and therefore cannot be categorized as banned and underground films.'
Mostaghasi also addressed concerns that may exist regarding restrictions on filmmakers and emphasized the need to reconsider these issues. He believes that Iranian cinema needs more diversity and expansion, which can help the growth and advancement of cinema in the country.
Consequences of Underground Cinema
The issue of underground and banned cinema in Iran has always been one of the major challenges for filmmakers. Mostaghasi noted that this type of cinema can help create new and innovative spaces in cinema, stating: 'We must act in a way that allows filmmakers to create their works more freely and reduce restrictions.'
Ultimately, this film critic pointed out that cinema should be able to reflect the realities of society, and for this reason, filmmakers should seize every opportunity to express their opinions and viewpoints. He hopes that with changes in attitudes and policies, a brighter future for Iranian cinema can be anticipated.
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