Rahmat Amini, a university professor and theater director, considers the state of theater in Iran to be extremely concerning and believes that independent theater has been marginalized. He warns about the future of thought-provoking theater, pointing to fundamental changes in audience tastes and the emergence of trivial comedies in official stages.
Classification of the State of Theater in Iran
Amini divides the current state of theater in Tehran into three main sections. The first section includes trivial and superficial comedies that have driven theater to its lowest level under the pretext of entertainment. He points out that these performances are merely focused on making the audience laugh, rather than offering depth and thought, and in this context, free theaters, which have roots in theatrical traditions, have also suffered.
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Challenges of Independent Theater
Amini mentions that independent theater in Iran is under significant pressure and cites various reasons for this situation. He emphasizes that theaters that were previously supported by the government have sharply decreased, and many directors and groups have been forced to focus on box office success and attracting audiences. According to him, these changes have pushed thought-provoking theater to the margins, forcing actors and directors to seek attention through various tricks.
Amini also refers to the changing behavior of theater audiences, stating that years ago, true theatergoers came to the halls to watch artistic works, but now many spectators are only interested in seeing their favorite actors. He argues that these behaviors indicate a shift in theater viewing patterns that ultimately favors trivial comedies and superficial performances.
The Necessity of Supporting Thought-Provoking Theater
Amini further emphasizes that municipalities and government institutions must play a larger role in supporting thought-provoking theaters. He references successful experiences from other countries in this regard and states that Iran Shahr Theater and Tehran Theater Complex can produce diverse and quality works with financial support and special facilities. In his opinion, this support could lead to the revival of independent theater and an increase in the quality of artistic works.
In conclusion, Rahmat Amini points out that theater must return to its original position and engage in depth and thought. He hopes that with appropriate support, independent theater in Iran can return to its peak days and produce valuable and meaningful works.
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