Dominic Dramgoole, the renowned director and writer, explores the history of proscenium theatre in his new book titled 'Time Frames', demonstrating how this format, despite its dry and monotonous reputation, has provided a space for bold experiments from Chekhov to Brecht and beyond.
A Living History from 1865 to 1965
This book covers the years from 1865 to 1965, a period when proscenium theatre dominated global stages and examines over 70 prominent playwrights during that time. While today we look at the endless possibilities of theatre with open, thrust, traverse, and circular stages, Dramgoole references an era when performances were largely confined behind a proscenium arch.
Freedom in Constraint
He describes this form as 'provocatively limited', much like a 14-line sonnet or a 12-bar blues, and it seems he is right here. While critics often seek innovative ways to keep the history of theatre alive, Dramgoole passionately delves into the details and complexities of this theatrical form, reminding us that any limitation can become an opportunity for creativity.
Ultimately, 'Time Frames' is not just a historical book but a statement for theatre, an invitation to explore the world of proscenium theatre and challenge its stereotypical perceptions. Dramgoole's work reminds us that any form of theatre, whether limited or free, can be the foundation for extraordinary artistic works.
